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"Then why don't you go back?" suggests Mona, simply. "Down below in the hollow, miss,—jist behind the hawthorn-bush. Go home some other way, Miss Mona: they're bint on blood." "Yes. One can understand that," replies she, gravely, not heeding the closeness of his regard. "Many things affect me curiously," she goes on, dreamily,—"sad pictures and poetry and the sound of sweet music.".
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Conrad
For an instant Rodney turns his eyes on her, and then goes back to his sneering examination of Geoffrey. Between them the two dogs still lie, quiet but eager. Then Violet and Doatie drop in, and conversation becomes general, and presently the visit comes to an end, and the Carsons fade away, and Mona is left to be bear the brunt of Lady Rodney's anger, which has been steadily growing, instead of decreasing, during the past half-hour. At this Mona breaks into a sweet but ringing laugh, that makes Lady Rodney (who is growing sleepy, and, therefore, irritable) turn, and fix upon her a cold, reproving glance. As she comes to the gravel walk that leads from the shrubberies to the sweep before the hall door, she encounters the disgraced Ridgway, doing something or other to one of the shrubs that has come to grief during the late bad weather..
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